Two Reds
2012
oil stick on paper
7 ¾ x 15 ½ inches, image 15 ½ x 22 inches, sheet

Please contact the gallery for a complete updated resume.

KRISTIN HOLDER

b. Los Angeles, California, 1973

EDUCATION

1997-1999
American University, MFA
1992-1996
University of Washington, BFA Painting, BA Interdisciplinary Visual Arts and Minor in Chemistry
1995
University of Washington Rome Program

SOLO EXHIBITIONS

2009
Ode to tape, Gallery Joe, Philadelphia, PA
2007
The Last Next, warehouse, Washington, D.C.
2006
Drawings, The Gallery of Alex Lake, Dover, NH
2003
Na Yoko Ra Ra, Washington, DC
2002
Qi, Galleria Nazionale d'Arte Moderna, Rome, Italy
2001
Recent Work, Studio 7, Washington, DC

SELECTED GROUP EXHIBITIONS

2013
All Black, Gallery Joe, Philadelphia, PA
2012
Notations: Contemporary Drawings ans Idea and Process, Kemper Art Museum at Washington University, St. Louis, MO
Drawn/Taped/Burned: Abstraction on Paper, from the Sally & Wynn Kramarsky Collection, Katonah Museum of Art, Katonah, NY
2009
New York/New Drawings, 1946-2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain (catalog)
new artists, new works, new year, Don Soker Contemporary Art, San Francisco, CA
2007
NO REPRESENTATION [Abstraction in the Capital], Warehouse, Wash., DC
2006
The Trawick Prize: Bethesda Contemporary Art Awards, Bethesda, MD
Chapter V, KNEW Gallery, Washington, DC
From the Studio, The Katzen Museum, Washington, DC
2005
Soft Openings, The Katzen Museum, Washington, DC
ROME, APT Gallery, Deptford, London, UK
Elegant, Wyman Arts Center, Park School, Baltimore, MD
2002
Mostra Due, The British School at Rome, Rome, Italy
L’uomo e la sua dimensione, Braccio di Carlo Magno, The Vatican Museums
Mostra Uno, The British School at Rome, Rome, Italy
2001
Exploitation, Workscape, Boston, MA
ArtRomp 11, Studio 7, Washington, DC
2000
Paintings, Hobart and William-Smith College, Geneva, NY
ArtRomp 10, Studio 7, Washington, DC
1999
New Talent, Rockville Arts Place, Rockville, MD
12 Emerging Artists, Duncan & Miller Gallery, Washington, DC
1998
Mapping, Rock Creek Art Gallery, Washington, DC

REVIEWS AND PUBLICATIONS

Nackman, Rachel, “Kristin Holder in Conversation with Rachel Nackman”, Notations: Contemporary Drawing as Idea and Process online catalogue, April htttp://www.aboutdrawing.org/notations/kristin-holder/
Mike, Tad, “Tad Mike with Kristin Holder”, Drawn/Taped/Burned: Abstraction on Paper virtual catalogue, http://www.aboutdrawing.org/drawntapedburned/
Kenneth Baker, “O’Kiersey paintings at Triangle,” San Francisco Chronicle, 7 February 2009, p. E7.
Amy Eshoo, Editor, “560 Broadway: a New York drawing collection at work,” Fifth Floor Foundation, New York, NY and Yale University Press, New Haven, CT, 2008.
Maura Judkis, “Longing Division,” The Washington City Paper, Vol. 27, No. 42, 18 October 2007, p. 42.
Michael O’Sullivan, “Trawick Prize Winners’ Attention to Details,” The Washington Post, 22 September 2006, p. 50.
Claudia Rousseau, “Good show, few surprises among Trawick finalists,” Gazette, 20 September 2006, p. B-4.
Glenn McNatt, “Following a passion brings a prize,” The Baltimore Sun, 12 September 2006, http://www.baltimoresun.com/entertainment/galleriesmuseums.
M. O’Sullivan, “At AU, Watch This Space,” The Washington Post, 22 July 2005, pp. 29-30.
J. Shaw-Eagle, “’Soft Blending of Styles,” The Washington Times, 26 July 2005, pp. B1-2.
Glenn Dixon, “AU’s Katzen Center Gives Artists Room to Create and Display,” The Washington Post Express, 15 July 1005, pp. 26-7.
Susan Breitkopf, “New and Improved in Tenleytown,” dcist, 14 July 2005.
Jacqueline Smith, “An Art Museum Debuts,” Home & Design, Fall 2005, pp. 40-1.
Karen Feld, “The Buzz—AU’s Katzen,” The Examiner, 29 July 2005, p. 33.
Mark Longaker, “Katzen’s ‘Soft Openings’ inaugurates AU gallery,” The Northwest Current, 13 July 2005, pp. 39-41.
Nicole Miller, “Georgetown Art Walk,” The Washington Post, 12 October 2003, p. M10.
Jonathan Padget, “A Gallery on Wheels,” The Washington Post, 9 October 2003, p. C5.
Michael O’Sullivan, “Na Yoko Ra Ra on the Move,” The Washington Post Weekend, 3 October 2003, p. 62.
“Na Yoko Ra Ra,” Washington City Paper, 3 October 2003, p. 90.
“Video, foto, dipinto: ecco la scena inglese,” La Repubblica, 17 September 2002, p. 39.
“Prove d’autore in Academia,” Corriere della Sera, 17 September 2002, p. 55.
“British Academy,” TimeOut Roma, September 2002.
“Gli artisti dell’Accademia Britannica aprono i loro studi,” La Stampa, 18 June 2002.
“Shift,” Washington City Paper, 15 September 2000, p. 90.
Michael O’Sullivan, “Shift: Nothing’s Automatic,” The Washington Post Weekend, 8 September 2000, pp. 56-7.
“Unfamiliar Familiarity,” The Montgomery Gazette, 20 August 1999
F. Protzman, “Off to a Great Start,” The Washington Post, 18 August 1999, p. C5.

COLLECTIONS

UCLA Hammer Museum, Los Angeles, CA
Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
The Watkins Collection, American University, Washington, DC
Hobart and William-Smith Colleges, Geneva, NY
Galleria Nazionale d'Arte Moderna, Rome, Italy
Birmingham Museum of Art, Birmingham, AL
Sarah-Ann and Werner H. Kramarsky, New York, NY
Alexander Cortesi, New York, NY
Laura Iorio, New York, NY
Inge Lyse Hansen, Rome, Italy
Loa Ludvigsen, Copenhagen, Denmark

AWARDS & FELLOWSHIPS

2008
The Trawick Prize, Finalist, Bethesda Contemporary Art Award
The Edward F. Albee Foundation, Fellowship for one-month residency at the William Flanagan Memorial Creative Persons Center, Montauk, NY, June
2005
The Trawick Prize, Second Place, Bethesda Contemporary Art Award
2002
The Abbey Scholar in Painting, The British Academy at Rome, Fellowship, January - September
2001
Independent Artist Fellowship, D.C.C.A.H. /N.E.A., Grant
2000
Millay Colony for the Arts, The Corrine Steele Fellowship, Austerlitz, NY, Residency, June
1999
The Pollock-Krasner Foundation, Grant
1997-99
Individual Study Fellowship, American University